Alma Tadema
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8 January 1836 – 25 June 1912. Most renowned painters.

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GOSSAERT, Jan (Mabuse)
Portrait of Baudouin of Burgundy - Oil on panel Staatliche Museen

ID: 63093

GOSSAERT, Jan (Mabuse) Portrait of Baudouin of Burgundy - Oil on panel Staatliche Museen
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GOSSAERT, Jan (Mabuse) Portrait of Baudouin of Burgundy - Oil on panel Staatliche Museen


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GOSSAERT, Jan (Mabuse)

Flemish Northern Renaissance Painter, ca.1478-1532   Related Paintings of GOSSAERT, Jan (Mabuse) :. | Adam and Eve sdgh | Diptych of Jean Carondelet (left wing) dg | Adam and Eve safg | Lady Portrayed as Mary Magdalene sdf | Deposition dsg |
Related Artists:
Adolf Friedrich Erdmann Menzel
1815-1905 Realism German
Peter Cramer
(1726 - 1782) was a self-taught artist who prepared the drawings for the illustration of Norden's 'Travels in Egypt,' and then became a decorative and theatrical painter. Together with this occupation he executed popular Danish scenes in the style of Teniers, and several of his pictures were engraved by Haas, Kleve, and Clemens. He died at Copenhagen in 1782.
William Strang
British Painter, 1859-1921,Scottish painter and printmaker. Following a brief apprenticeship with a shipbuilding firm in Clydesdale, he entered the Slade School of Art (1876) where he adhered to the uncompromising realism advocated by his teacher Alphonse Legros. After completing his studies at the Slade (1880), Strang became Legros's assistant in the printmaking class for a year. For the next 20 years he worked primarily as an etcher. His etchings include landscapes in the tradition of Rembrandt, pastoral themes indebted to Giorgione and macabre genre subjects, marked by a sense of tension and suspended animation. He also etched 150 portraits of leading artistic and literary figures. The commitment to realism and psychological intensity that characterizes the best of Strang's etched work is also evident in the paintings that dominated the latter half of his career. The influence of the Belgian and French Symbolists' work and Strang's growing confidence in the handling of colour combined in his mature style with a linear clarity and schematic colouring that is best seen in such works as Bank Holiday (1912; London, Tate). His oil portraits, for example Vita Sackville-West as Lady In a Red Hat (1918; Glasgow, A.G. & Mus.), are strikingly potent images of their time. An important collection of Strang's graphic work is in the Art Gallery and Museum in Glasgow.






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